MR ANDERSON
Fatal Fury: City of the Wolves in Times Square screen graphic at the New York boxing event

Entertainment & Live / Brand & Advertising

The Ring × Fatal Fury

London & New York

Creative direction and executive production for an international entertainment campaign spanning two major boxing events, a global video-game launch and live activations with KSI and IShowSpeed.

Client / Collaborator
The Ring / Big Time Creative
Role
Creative Director / Executive Producer
Year
2025
Agency / Production Company
NaF+
Markets
United Kingdom / United States / Global
Locations
London / New York
Campaign
Fatal Fury: City of the Wolves
Featured talent
KSI / IShowSpeed
Events
Chris Eubank Jr. vs Conor Benn, Tottenham Hotspur Stadium, London. Ryan Garcia vs Rolando Romero, Times Square, New York.
Deliverables
A high-volume campaign of event films, activation content, social cutdowns and campaign photography. Film content was delivered in 60, 30, 15 and 6-second versions across 16:9, 9:16 and 4:3 formats for YouTube and international social media platforms.

Watch the work

Times Square: Event Film

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London: Main Event Film

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London: The Fight

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The Brief

Capture the drama, energy and cultural scale surrounding two major international boxing events in London and New York while documenting the launch activation for SNK's Fatal Fury: City of the Wolves. The campaign needed to connect live boxing, gaming and online entertainment through a fast-moving stream of films and photography. Content had to be captured, edited, approved and published while the events were still unfolding, giving The Ring a distinctive voice within an extremely competitive live media environment.

The Creative Approach

Treat each city as part of one unfolding international story. The campaign moved from the atmosphere surrounding Chris Eubank Jr. and Conor Benn at Tottenham Hotspur Stadium to the spectacle of a live boxing event in Times Square. Alongside the fights, KSI and IShowSpeed brought the world of Fatal Fury: City of the Wolves to life through physical activations built around their existing rivalry and global audiences. The creative approach combined the scale and drama of elite boxing with the pace, personality and immediacy of gaming and creator culture. Rather than producing a single retrospective event film, we built a flexible content system designed to react in real time. Hero films, rapid-turnaround edits, social cutdowns and photography were planned as part of the same campaign from the outset.

Boxer roaring in celebration inside the ring at a packed stadium boxing event
KSI and IShowSpeed photographed together in black and white for the Fatal Fury campaign
KSI and IShowSpeed on an open-top bus surrounded by fans and cameras in New York

My Contribution

I was Creative Director and Executive Producer across the project, working with the client to shape the creative response and leading its execution across London and New York.

  • Leading the overall creative approach across both territories
  • Translating the client brief into a coherent international content campaign
  • Leading client relationships and the creative approval process
  • Managing the production teams alongside NaF+'s dedicated producers in London and New York
  • Overseeing production planning, budgets and delivery schedules
  • Coordinating film, photography and post-production requirements
  • Managing delivery across pre-production, live filming, post-production and final campaign assets
  • Ensuring content could be reviewed, approved and released at the speed required by live events
Live broadcast desk with presenters and Mike Tyson at the Fatal Fury event in Times Square, New York

The Production Challenge

The production had to capture two momentous boxing events in different countries while also documenting a global gaming activation featuring KSI and IShowSpeed. The greatest challenge was speed. We needed teams capable of operating across a rolling 24-hour production and post-production cycle. Multiple films had to be shot, transferred, edited, approved and delivered during the events or immediately afterwards. In a live environment, audiences were already uploading footage from their phones. Our content needed to reach platforms quickly enough to lead the conversation while still maintaining the creative and technical quality expected from an international campaign.

The Production System

Working with the post-production teams at Unorthodox and lead editors Sam Maton and Ben Garnett, we developed a streamlined workflow across London and New York. The system connected production, media management, editing, client review and delivery in a continuous process. Teams in both countries could move material rapidly from the event floor into post-production, allowing high-quality films to be completed and approved while interest in each moment was at its peak. This was not simply about editing quickly. It required advance planning around formats, priorities, approvals and delivery so that creative quality did not become a casualty of speed.

Campaign title cards for the London and New York events showing the London Eye and the Statue of Liberty
Social media response to the Ring Magazine campaign promo shown as Instagram comments
Fatal Fury campaign graphic reporting 41+ million engagement alongside limited-edition sneaker artwork
Times Square screen takeover for the Fatal Fury: City of the Wolves launch with KSI and IShowSpeed

The Result

The campaign delivered a large body of film and photography across multiple platforms, durations and aspect ratios for global distribution. The wider event and content campaign became the world's number-one trending sports event, generating a reported 41 million engagements and 116 billion global impressions. By combining international production with a carefully planned rapid-turnaround workflow, the team delivered high-quality content at the speed of a live cultural event. The films helped The Ring and Fatal Fury participate in the conversation as it happened rather than reporting on it after the moment had passed.

#1

Global trending sports event

41 million

Engagements

116 billion

Global impressions

Reported results across the wider event and content campaign.

Creating content at the speed of culture

I lead international creative and production teams that can capture, create and deliver premium content while the story is still unfolding.

Discuss a live or international project