MR ANDERSON

Selected Music Videos

Ross Anderson has commissioned, directed and executive produced music videos and artist campaigns that have collectively attracted billions of views.

This evolving archive brings together some of that work, from career-defining debut singles and major artist comebacks to globally successful pop campaigns and early collaborations with filmmakers who went on to become internationally recognised directors.

Every project began with the same objective: find the clearest creative idea, bring together the right collaborators and make something that connects the artist with their audience.

Explore selected music videos below, with every film linked directly to its official YouTube release.

25 videos

Selected videos

Career-defining debuts, major singles and distinctive collaborations from across Ross Anderson’s music-video work.

Duffy: the Rockferry campaign

Duffy’s debut album Rockferry introduced one of the most distinctive new voices in British music. Mercy and Warwick Avenue gave the campaign two very different visual expressions: one driven by rhythm, movement and immediacy, the other intimate, restrained and emotionally direct. The work formed part of Ross Anderson’s commissioning and executive production portfolio during a defining period for British music video.

Enrique Iglesias: international pop campaigns

Working across a run of Enrique Iglesias releases, Ross helped deliver music videos designed for a genuinely international audience. The campaign brought together major collaborators including Pitbull, Nicole Scherzinger, Usher and Lil Wayne, moving between high-energy performance, nightlife, choreography and polished cinematic pop storytelling.

White Lies: establishing a visual identity

White Lies’ debut album To Lose My Life… entered the UK Albums Chart at number one. Working with director Andreas Nilsson across Death, To Lose My Life and Farewell to the Fairground, Ross helped establish a bold, cinematic visual identity for the band during their breakthrough campaign. Bigger Than Us belongs to the band’s second album, Ritual, and was directed by Jonas & François. It represents the next chapter in the band’s visual development, not part of the debut album campaign.

Early work with Daniel Wolfe

Ross worked with Daniel Wolfe during the director’s earliest period in music video, across projects involving artists including Ms. Dynamite, James Morrison, Duffy and The Horrors. These collaborations were part of a generation of music videos in which emerging directors were given the opportunity to develop ambitious ideas, distinctive visual languages and new approaches to performance.

Girls Aloud

Ross worked across a run of Girls Aloud videos during one of the group’s most creatively confident periods. Sexy! No No No…, Can’t Speak French and The Promise moved between sharp fashion-led imagery, playful performance and highly polished pop storytelling, while maintaining the group’s unmistakable personality.

Take That: the return

Take That’s return required a visual identity that acknowledged the group’s history while presenting them as a confident, contemporary band. Ross worked across key videos from that hugely successful new chapter, including Patience, Shine, Rule the World and Greatest Day. Together, the films helped turn a much-anticipated reunion into one of British pop’s most successful and enduring comebacks.

Snow Patrol: Final Straw and Run

Ross commissioned and executive produced music video work around Snow Patrol’s breakthrough album Final Straw. Run became one of the defining songs and visual moments of the campaign. Directed by Paul Gore, its nocturnal landscape, flare-lit imagery and restrained performance captured the emotional scale of the track without losing its intimacy.

Further artist collaborations

Ross’s wider music video and artist-content work includes projects for The Rolling Stones, Ian Brown, The Saturdays, The Script, Sam Smith, 5 Seconds of Summer, Klaxons, La Roux, Alexis Ffrench, The Feeling, Mika, Elton John and Elbow.